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author:

于航勇 (于航勇.) [1]

Abstract:

在中国山水画的发展中,宋代院体山水画成就显著。唐代山水画还不太成熟,但以展子虔、李思训父子开辟的青绿山水一派为此后山水画的发展奠定了基础。比对唐代青绿山水和宋代院体山水,会鲜明的分辨出两宋时期的"院体"山水画能够突破以往的传统,画家的实业获得了扩展,在色彩风格,表现手法上比之唐代向前迈了一大步。

Keyword:

唐代 宋代 院体山 青绿山水

Community:

  • [ 1 ] 福州大学厦门工艺美院

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Source :

大众文艺

Year: 2013

Issue: 15

Page: 96-97

Cited Count:

WoS CC Cited Count: 0

SCOPUS Cited Count:

ESI Highly Cited Papers on the List: 0 Unfold All

WanFang Cited Count:

Chinese Cited Count:

30 Days PV: 2

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